Program Schedule

Susan Kaiser, 'Just-in-Time Appearances

Susan Dimasi,'Beyond Fashion Fads and Gadgets'

Laurene Vaughan, 'Site for Transformation'

Beverly Lemire, 'Fashion and Tradition: Wearing Wool in England during the Consumer Revolution, c.1660-1820'

Giorgio Riello, '“Pretty Shoes, Arrayed With Ribbons that Make you Look Like Flare-floated Pigeons”: Footwear, Innovation and Fashion in the Long Eighteenth Century'

Negley Harte, 'From Head to Toe: Revisiting Fashion and Tradition--Shaving Off For Showing Off: The Rise and Fall of Wigs c.1650-1830'

Margot Riley, 'Cast Offs: Aspects of Second-Hand Clothing Use in Australia from 1788-2002'

Michael Marendy, 'Women in Business in Nineteenth Century Brisbane: Opportunities in the Custom Made Clothing Trade'

Marianne Hulsbosch, 'Dress and Ethnic Identity Construction in a Dutch Colonial Context'

Christyana Bambacas, 'The White Wedding Dress'

Pamella Hellens and Raelene Wilding, 'Fashioning Tradition: The Social Construction of the Contemporary Bride'

Antonia Finnane, 'Love, Marriage and Wedding Dresses in Twentieth Century China'

Fashion and Marketing

Fashion and its Visibilities

Female Body Image and the Fashion Model

Lilin Lu, 'The Costume Fashion of Current China'

Maureen Molloy, 'Weaving Success from Multiple Threads: Cosmopolitanism in New Zealand Fashion Design'

Nanette Carter and Denise Whitehouse, 'Boutiques, Brands and Youth: Sportsgirl and Prue Acton and the Pioneering of Youth Culture and Brand Marketing in Australia'

Hannah Frith and Kate Gleeson, 'Doing Looks and Looking: Young Women Fashioning the Gaze'

Natalie Smith, 'Beyond the Rhetoric: Looking at Those in Fashion who Really Know What Sort of Concept Art Is'

Fiona Anderson, 'Fashion and Masculine Fancies: Tweed Cloth, Masculinities and Male Urban Fashionability 1860-1900'

April Hayes and Donna Reamy, 'The Global Impact of the Fashion Industry and the Media on Body Image'

Angela Dwyer, 'Starved, Sexed-up and Spaced-out: Disorderliness and the Fashion Model Body'

Karen de Perthuis, 'The Synthetic Ideal: The Fashion Model in the Age of Digital Manipulation'

Fashion History: Cultural and Socio/Political Meanings

Global, Local, National: Consumption and Marketing

Fashion: Negotiating Identity and Visual Spectacle

Fashioning the Body and Cultural Visibility

Avis Smith , 'Making a Statement with an Apron'

Elaine Webster, 'Symbolic Consumption: Dressing for Real and Imagined Space: Material Culture Study of the Boudoir Caps from the Otago Museum Collection'

Lesley Wilson, 'Alluring Bikini Girls: Luring the Tourist Dollar'

Meredith Rose, 'Fashioning Justice: Culture and Appropriation in the West'

Rosalie Jackson Regni, Karen Guthrie and Donna Reamy, 'Cultural Identity and the Product Development Process'

Anne Peirson-Smith, 'Going “Glocal”: The Cultural Contradictions of the Post-Colonial Hong Kong Fashion Industry'

Kate Gleeson and Hannah Frith, '(Ad)Dressing Ambiguity'

Jillian Clare, 'Cross-Dressing Legitimately'

Virginia Keft-Kennedy, 'Sequins are a Girl's Best Friend: Belly Dance and Feminism'

Priscilla Walton, 'Biotechnological Beauty?'

Catherine Bagnall and Rebecca Sinclair, 'Productive Excess: Clothing, Landscape, Architecture'

Rhonda Shaw, 'Ethics and the Genetic Refashioning of the Future Body'

Fashion and the Female Body

Style and Youth Culture

Styling for Film and Television

Nick Lewis, 'New Zealand Designer Fashion: Governmentalities of an Industry in the Making'

Alison Goodrum, 'Taking on the Material World: The Globalisation of New Zealand Designer Fashion'

Sandra Niessen, 'Going Global with Fashion Theory'

Janet Hethorn, 'Observing Street Style'

Heike Jenß, 'Dressed in History: Retro-Styles and the Construction of Authenticity in Youth-Culture'

Shaun Borstrock, 'Youth, Branding and Fashion'

Sarah Artt, 'The Age of Sex: New York Fashion Trends and Customs in The Age of Innocence and Sex and the City'

Paola Di Trocchio, 'Luhrmann's Red Curtain Costumes'

Shane Lewis, 'Costume and the Remake'

Rebecca McIlwraith, 'Industry Clusters: Experiences of Inter-Firm Cooperation and Replicability in the Fashion Industry of New Zealand'

Louise DuVernet, 'Cultural Differences within the Australian Textile and Apparel Industries: Will Designers and Manufacturers Ever See Eye to Eye?'

Ritva Koskennurmi-Sivonen, 'United Fashions-Making a Muslim Appearance in Finland'

Roxanne Marcotte, 'The Veil and the Fashion of Identity, Morality, Resilience and Resistance'

Heather Marie Akou, 'The Case of Somali Women's Dress in Minnesota: Evaluating Herbert Blumer's Theory on Fashion'

Susan Palmer, 'Clothing the Commune for the Coming of Christ: Second Hand Clothes and Patterns of Provisioning in The Family/Children of God'

Sara Thorn, 'Connecting with the Divine'

Vandana Bhandari, 'Dress and Religion in India'

Pamela Church Gibson, 'Women Men Marry: Contemporary Cinematic Heroines, Film Costumes and Fashion Theory'

Amanda Taylor, 'Red Carpet Ride: Fashion and Spectatorship at the Academy Awards'

Anne-Marie Van de Ven, 'Janice Wakely: Model and Photographer'

Textiles, Clothing and Aesthetics

Haute Couture Today

Elizabeth Lamont, 'Drawing on My Memory: The Role of Clothing in Visual Arts Practice'

Sandra Heffernan, 'Contemporary Visual Responses to Forgotten Designs1930-40'

Vishna Collins, 'The Body Adorned and the Art of Dress: The History, the Phenomenon of Wearable Art'

Liliana Pomazan, 'Modernism and Postmodernism in the House of Chanel'

Robyn Healy, 'Haute Couture Rocks!'

Alison Gwilt, 'Sustainable Practices in Fashion Design: Haute Couture, the Unsung Hero?'

Charlotte Hallows, 'The Wasted and the Wasteland: On Fashion, Consumption and Excess'

Alison Gill, 'Wearing Clothes'

Cameron Kippen, 'The Curious History of Long Toed Shoes'

Yuniya Kawamura, 'Fashion-ology: Constructing a Science of Fashion'

Larissa Hjorth, 'Space Invaders: Cute Capital'

Joanna Frueh, 'The Performance of Pink'

Anne Freadman, 'Breasts are Back! Colette's Critiques of Flapper Fashion'

Alistair Rolls, 'In Olden Days a Glimpse of Stocking: Using Fashion to Read Post-War French Fiction'

Boris Christa, 'Clothes and Communication: The Language of Vestimentary Markers'

Jocelyn H-C Chen, 'Investigating Garment Fit Requirements for Fashion Brands in Taiwan-A Case Study Based upon Oasis and French Connection'

Jinna Tay,'Slave 4 U: Fashion Magazines and the Asian Fashion-Sphere'

Robina Mohammad, 'Marking the Nation - Women's Dress, Visibility and Presence: Reflections form the Lives of British Pakistani Muslim in the UK'

Masculinity and Fashion

Fashion and Culture: Performativity and Cultural Meanings

Film, Television and Fashion

Design: Creativity, Visibility and Sustainability

Elizabeth Tomlinson, 'The Ideal Male Body in Fashion Spreads'

David Buchbinder, 'Object or Ground? The Male Body as Fashion Accessory'

Peter McNeil, 'Masculine Dress and Social Identity of the Petit-Maître in 18th Century Paris'

Jennifer Craik,'Uniforms at Work'

Prudence Black, 'Flying High: Flight Attendant Performative Fashion'

Yvette Morey, Hannah Frith and Mary Haslum, 'Invisible Bodies: Audience and Performativity in Clothed Displays'

Sumati Nagrath, 'Bollywood Brands: A Look at the Fashion Spinoffs of Indian Films'

Jeanette Delamoir, 'More Than the Sum of its Frocks?: Elizabeth's Costumes and the Visual Pleasures of the Cinema'

Helen Yeates, 'Accessorising Masculinities in The Sopranos: The Reframing of Gangster Bodily Adornment in Popular Culture'

Marcus Bunyan, '(Not) Starting from Zero: Eclectic and Spatio-Temporal Elements in Op-Shop Fashion'

Anthea Van Kopplen, 'Engaging with the Supermodern'

Debra Porch,'Fashion + Art—What is Visible…'

Craig Douglas, 'Frames of Display: Fashioning a Space of Representation'

Jane Hegland and Marilyn DeLong, 'Fashion, Consumption and Museology: A Tale of Two Collections'

Robyn Daw, 'Architects of Glamour + Masters of Style'

Yvonne Maree Ritson, 'Why Study “Frocks?”: Training for the Fashion Industry in Brisbane'

Jan Hamon, 'Ivory Towers or Merchant Ivory'

Claudia Mitchell and Sandra Weber, 'Dressing for the High School Prom: Questions of Fashion and Identity'

Anne Farren, 'Garment, Fashion and New Technology'

Marlene Little, 'Designing with Sound and Light-Laser Lace and Sonic Cloth'

Pamela Tonkin, 'What is Post-Ugliness?'

Robyn Gibson, 'Deconstructing Australian Beach Culture'

Melissa Campbell, 'G'day World: Designing “Australianness ”for the Global Catwalk'

Sylvia Harrison, 'Making an Appearance: Jean Shrimpton, Derby Day 1965, and the Rise of the “Mini”'

The Aesthetics of Fashion

Designer Fashion and the Economy

Jewel Mackenzie, 'The Fabric of Art'

Rina Bernabei and Kelly Freeman, 'Living Textiles: Merging the Boundaries Between Fashion and Interior Products'

Susan Williams, 'Fashion and Aesthetics'

Catherine Lane West-Newman, 'Fragments in the Public Domain? Fashion and Copyright'

Amanda Bill, 'Creating a Label for Myself: Fashion Design Subjectivity and Careers in the New Economy'

Sue Thomas, 'Who Ya Gonna Call? Vice President of Responsibility, Director Sustainable Development?'

Melissa Gregg, 'Five Bonds T-shirts from K-Mart'

Grahame Griffin, 'The Man Has Gone-the Dream Lives On…Fashion, Architecture and the Palazzo Versace'

Juliette Peers, 'Dior in Plastic'

Rebecca Arnold, 'Fashion, Modernity and the Body'

Alice Beard, '“Caught Underwears”: The Body Revealed in Nova Magazine'

Jude Adams, 'Fans, Fashion and Fancy Dress: Costume and Style in the Art of Thea Proctor'

Karen Tranberg Hansen, '“The Latest”: Competence, Strategy and Rehearsal in Second Hand Dress Practices in Zambia'

Marilyn DeLong, 'What Goes Around Comes Around'

India Flint, 'Fashion, Ecology and Identity'

Vicki Crowley, '“Clothes Maketh the Man”: Fashion, Gender and the Urban Drag King'

Bonnie English, 'The Aesthetics of Poverty: Contemporary Japanese Fashion Design'

Natalya Lusty, 'Fashionable Art: Cindy Sherman's Encounter with Gaultier'

Frances Bonner, 'Presenting Dress: The Clothing of Australian Television Presenters'

Michael Bromley, 'The Fourth “F”: Newspaper Representations of People's Day at the Ekka' Spare Slot

Catherine Lawler, 'Fashioning Masculinity in Australian Film'

Katherine Muir, 'Bared Flesh and Sweated Bodies: Contested Images of the Fashion Industry in Australian Media'

Sophia Errey, '“A Little Bit of Powder, Little Bit of Paint”'

Precious Lovell, 'My Peeps'

Prudence Black and Peta Shera, 'The Stain'

Kirsten Hudson, 'To Glance Sideways'

Frank Cartledge, 'Re-animating the Fabric in Time'

Sally Gray, 'David McDairmid: A Life in Fashion-The Artist as Performative Persona'

Valerie Wilson Trower, 'How to shop Hong Kong = How to Live: An Examination of the Fashion Advice Literature of Hong Kong from 1960 to date'

Holly Price Alford, 'The Influence of the Zoot Suit'

Lindie Ward, 'From Function to High Fashion: The Enduring History of the Thong'

Hilary Radner, 'From the Local to the Global: Fashion in the New Zealand Context'

Emos Olorunshola 'Coat of Many Colours: Vulgarizing Fashion in Africa'

Mary Jean Hunter, 'Clothes in Khadi-A Fashion and Life Journey'

Prudence Ahrens, 'Pets, Pretenders or Pint-Sized People? Ways of Seeing Contemporary Children's Wear'

Gillian Davies, 'Urban Warriors'

Julie Ustinoff, '1960s Youth Culture and the Re-Definition of Sartorial Masculinity'

Amanda de Clifford, 'Chasing the Nylon'

Corinne Colbert, 'A Positive Interruption of Stereotypes'

Annie Chiu, 'Beauty Salon, Urban Identities and Hybrid Modernity'